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I studied design because I like to experiment with not only spaces, but elements in general: lines, stains, textures, whites. I could have studied architecture, which fascinates me, but I opted for design and once I was enrolled in the program I knew, or rather intuited, that my career would be dedicated to graphic design. For a time, I made posters and designed logos; I did well at that and thanks to Mexico's international poster biennales, I had excellent teachers from all over the world who were fundamental to my training as a graphic designer. But it wasn't until I was working on a book at the renowned and cherished Imprenta Madero that I discovered that making books, designing books, was what I wanted to do my whole life. I've mostly designed art books, but I have also worked on series of literary texts, facsimiles of ancient works, and different kinds of materials in general, even participating in the creation of artist-books. Every book is a separate journey, every book has its own architecture.
I studied design because I like to experiment with not only spaces, but elements in general: lines, stains, textures, whites. I could have studied architecture, which fascinates me, but I opted for design and once I was enrolled in the program I knew, or rather intuited, that my career would be dedicated to graphic design. For a time, I made posters and designed logos; I did well at that and thanks to Mexico's international poster biennales, I had excellent teachers from all over the world who were fundamental to my training as a graphic designer. But it wasn't until I was working on a book at the renowned and cherished Imprenta Madero that I discovered that making books, designing books, was what I wanted to do my whole life. I've mostly designed art books, but I have also worked on series of literary texts, facsimiles of ancient works, and different kinds of materials in general, even participating in the creation of artist-books. Every book is a separate journey, every book has its own architecture.
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Official selection, First International Poster Biennale of Mexico,
Official selection, Second International Poster Biennale of Mexico,
Award from the American Museum Association of Washington, DC for design for the Catalog of the National Art Museum Collection on three occasions,
Wine Cellars of Mexico received in
Honorable Mention for the design of the collection Overseas. II Latin American Prize for Editorial Design (collection category) awarded by the Fundación El Libro at the Buenos Aires International Book Fair,
Cámara Nacional de la Industria Editorial Mexicana (Caniem) Editorial Art Prize for The Mesoamerican Ball Game,
Member of the preselected ADDA Awards from